视频推荐
电影永恒的爱情,犯人就是你 第二季
艺考影视编导,白金数据
窝窝手机电影在线观看免费,星际拾荒者
秋霞电影aa级,西部慢调
末日病毒 电影,有兽焉第二季
影视资源,追星星的人 第三季
羞耻电影版无删减版迅雷下载,献祭游戏
极品电影,土婆婆PK洋媳妇
时雨之记 电影在线观看,黄河大侠
fly away home电影,欲盖弄潮
黄色录像三级电影,帕丁顿熊3
无名勇士 完整版电影,大叔转生恶役大小姐
唐人影视有哪些电视剧,誓不罢休
电影鼠胆龙威免费观看,无脑魔女
恋恋影视官网,行尸走肉:存活之人
六头鲨鱼的电影,我们的客栈
一个和八个 电影,犯罪现场
角斗电影高清在线观看,兽医杜立德
韩国电影年轻的母亲1,私人诊所 第六季
麻花影视在线,地下特工
众生平等打一电影,杀戮时刻

沉寂之桥

类型: 剧情,爱情,剧情片
地区: 美国
年份: 1989
主演: Lee Remick,Marlee Matlin,Michael O'Keefe
导演: Karen Arthur

剧情介绍

Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.  Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.  The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.  Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
热门推荐